Adrian (1903-1959) achieved success as a designer in the Hollywood of the 1930s by producing sculptured caps for Greta Garbo, ostrich feathered negligees for Jean Harlow and lame trench coats for Joan Crawford. But as a boy in the industrial town of Naugatuck, Connecticut, Adrian Adolph Greenburg sketched fire-breathing dragons and fed his lively imagination on the mythology of the Middle Ages.
Adrian had just returned from a retirement forced by a heart attack when Camelot director Moss Hart asked if he would be interested in doing the costumes for the musical. Retiring to his studio with a copy of T. H. Whites The Once and Future King, on which the libretto was based, Adrian produced 84 sketches. While Camelot was in the early stages of production, he dies of another heart attack (1959). His long time associate Tony Duquette completed the assignment from Adrians sketches, a number of which we show you here.